Until now, expressions of my shadow have gone through a range of changes. After the process of creation of the early stage where I focused on spatiality (a shadow corresponds to concept of naught) emptying things by forming a background, I tried linear expression of a shadow, internal. explanation of planarity, description of spatiality in planarity and expression of sides and colors.
Later, in Sagunja, the Four Gracious Plants (plum, orchid, chrysanthemum, and bamboo), the shadow produced from the process of substantializing the non-substantial shadow returned to the process of creating a non-substantial one again.
Here, I pursued essential figuration of the object and embraced the blank space (margin) through the square frame, by way of relationship, with space and modification of substantial figuration (juxtaposition by adjusting partial angle of figuration, adding some 3D space, newly interpreting and translating sides and lines).